Macrina Bakery’s New Cookbook: Seasons

With two beloved cookbooks covering many of our most popular breads and pastries, why did we produce a third? Well, after 25 years of creating impassioned dishes—savory and sweet—for customers at our five Seattle area cafés, we kept hearing, Can I get the recipe for that?

This compilation of customers’ favorite new dishes and desserts from the Macrina kitchen is organized around the many seasonal delicacies of the Puget Sound. The easy-to-follow recipes feature big flavors and beautiful food. Local photographer Jim Henkens spent many days at Leslie Mackie’s farm on Vashon Island capturing the spirit and flair of these well-tested recipes and the rural beauty that serves as Leslie’s inspiration.

Leslie Mackie opened Macrina Bakery in 1993 to share her joy of artisan baking. Her passion shined through the hand-formed breads and pastries, and when she opened the cafe shortly after that, it shined in the soups, sandwiches and other savories.

A decade later, when she moved to a rustic farm on Vashon Island, a short ferry ride away from Seattle, her connection to sustainable farming and seasonal produce deepened. Vashon is a lightly populated island of hills, twisty backwoods roads, forests and sprawling meadows. Free-range eggs, berries and freshly picked produce beckon passersby from roadside self-serve farm stands. Payment is frequently on the honor system. During the growing season, a bustling farmers market in the small town overflows with some of the best food grown in the Pacific Northwest.

Leslie enthusiastically gathers friends around great food. Most of the cookbook recipes first debuted at meals with the farmers, chefs, bakers, teachers and food lovers who make up Leslie’s community. When one of the new dishes hit a particularly high note, Leslie added the recipe to her notebook. After they were refined and tested, they were shared through Macrina’s recipe-of-the-month newsletter.

Macrina Bakery’s Seasons is a compilation of the best. Each recipe is rooted in the distinctive foods of spring, summer, fall and winter in the Pacific Northwest. Leslie designed the recipes for the home cook. Most use easy-to-find ingredients, and for rarer items, she has provided suggestions for substitutions. Except for a few, you should be able to prepare the recipes in less than an hour so that you can spend time with your guests enjoying a taste of the good life.

Summer Supper: Chez Leslie

When Alice Waters opened Chez Panisse in Berkeley on August 28, 1971, no one would have predicted how much she’d change our understanding of natural ingredients, how we grow them, and how we cook them. The proliferation of America’s local-seasonal-organic foods and the farm-to-table movement grew out of this new approach to eating.  

Flash forward to summer 2019. There is no better place to experience ultra-local cuisine than the smallfarm-filled epicurean paradise of Vashon Island. This is a big part of the reason Leslie chose to host Les Dames D’Escoffier’s 7th annual Summer Supper and Farm Tour at her Vashon Island Farm.  

Thirty guests were treated to an exclusive tour of local farms, followed by a four-course al fresco meal on the patio surrounded by hazelnut trees and roaming chickens. Naturally, the dinner featured Vashon Island ingredients. Each course was paired with wines from Palouse Winery and Maury Island Winery 

The farm tour started at Nashi Orchards, a premium producer of handcrafted perry and hard cider. They grow Asian and European pears and heirloom apples on 27 beautiful acres, using sustainable practices. Cheryl and Jim Gerlach, the owners and cider masters, talked the group through a history of the industry. “We work very hard to manage our soil and the condition of our trees to ensure the flavor from our fruit is in every bottle,” Jim said. They helped guests distinguish the subtle differences in the varieties of fruit and took guests on a tour of their new tasting room in the town of Vashon.  

The next stop was to Old Chaser Farm, where Matt Dillon, the award-winning chef behind Sitka & SpruceBar Ferdinand and The London Plane, led tours of the 20-acre organic farm where he raises vegetables and meat, including cows, sheep, goats, pigs, and chickens. While walking through the fields of ripe vegetables, Matt talked about Seattle’s current restaurant scene and the importance of sustainability in farming.  

Back at Leslie’s for a cocktail hour, guests snacked on appetizers, including a favorite made with local figs and mascarpone, and enjoyed a signature cocktail made from a local red currant syrup, ginger beer, BSB bourbon, apricot puree and soda water. A naturalist, Greg Rabourn, led guests around Leslie’s farm pointing out wild edible plants we might not recognize.  

Before the meal, everyone gathered for a few words about Green Table Grants. Then guests took their seats, and several long-time Les Dames members began serving food that would have made Alice Waters proud. 

Fresh Fruit Crostata

Fresh Fruit CrostataImagine you’re three years into owning and operating your dream bakery. Then imagine getting a call that Julia Child, the legend herself, wants you to appear on her show Baking with Julia. Back then, before Iron Chef, Anthony Bourdain and the Food Network, Baking with Julia was THE cooking show. It won both an Emmy and a James Beard Award.  

That was Leslie in 1996. After the thrill and shock wore off came the inevitable question, What will I cook? It had to both look and taste great, for Julia Child didn’t mince words.  

The Fresh Fruit Crostata, of course. 

The lattice topped crostata is a rustic Italian fruit tart. It can be made with any fruit but is best with at least two kinds, one firm and one juicy. In the kitchen of Julia Child’s imposing Cambridge clapboard house (where the show was shot) Leslie used raspberries and figs. The crostata came out perfectly, and Julia Child loved it.  

“That experience is one of the greatest memories of my life,” Leslie says. “All of the humor and wit and personal connection that you see from Julia Child on the show came across even more between takes. It was unbelievably stimulating and thrilling to be there.” 

This summer, we will be showcasing the crostata in our cafes with nectarines and berries depending on what is fresh or in season. Look for Leslie’s favorite, the nectarine blueberry, or the runner up, nectarine raspberry, to make frequent appearances.  

We make the buttery crust with a sesame almond dough. Hints of lemon zest and cinnamon add complexity to the fruit, and it gets a long, slow bake, which caramelizes the fruit sugars making it luscious and jammy at the edges.  

In classic Macrina style, the crostata isn’t overly sweet. Serve it at room temperature, or even slightly warmed, with lightly sweetened whipped cream or ice cream.  

Stop by a Macrina café this summer to try the crostata that Julia Child raved about. 

Roly Poly: Leslie’s Favorite Pastry

Leslie’s favorite pastry is Macrina’s Roly Poly. “The smell of Roly Polys warming in the oven brings me back to childhood memories of being in my Grandmother Bakke’s kitchen. We would wait by the oven for the cinnamon rolls that we had just made together to finish baking,” Leslie says.

Time spent baking with her grandmother and mother inspired Leslie to attend the California Culinary Academy in San Francisco. From there, she went on to apprenticeships with award-winning chefs and bakers and finally opened Macrina in 1993. “When we were creating breakfast treats in the early days, the treasured memory of my grandmother’s rolls came to mind,” Leslie says. “There were no measurements, just about this much and then that much. At some later point, I’d documented approximate amounts for our family recipes and carried them with me wherever I went.”

Leslie will never forget the memories that became the basis for Macrina’s Roly Poly recipe. “The best part of my grandmother’s rolls was the filling of cinnamon, sugar, raisins, coconut, and walnuts. No one ingredient overpowered the others,” Leslie says. “At Macrina, I had the wonderful advantage of already having the laminated dough we used for croissants. It had many thin layers of unsalted butter ready at my disposal.”

The combination of Grandmother Bakke’s filling and the laminated dough was just about perfect. Leslie added a dollop of cream cheese frosting and the Roly Poly was born.

“The Roly Poly is my all-time favorite breakfast pastry,” Leslie says.

October Recipe of the Month

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Toasted Sesame Semifreddo with Mini Ginger Molasses Cookies

A semifreddo is an Italian, rich gelato-like dessert that is frozen overnight in a loaf pan, sliced and presented like the best ice cream cake you’ve ever had! This recipe is a fun fall dessert inspired by Gina DePalma’s cookbook, Dolce Italiano. The late fruit harvest of figs plays well with the toasted sesame flavors in the semifreddo. To top it off, enjoy with our new Mini Ginger Molasses Cookies. – Leslie Mackie

Ingredients:

Serves 6
1/4 cup sesame seeds
1-1/2 cups heavy cream
4 eggs yolks
1/2 cup tahini
Pinch of salt
6 tablespoons sugar, divided
3 tablespoons honey
2 tablespoons water
1-1/2 teaspoons vanilla extract
5 ripe figs, thinly sliced
1/2 teaspoon fresh ginger, finely diced
1 tablespoon amaretto, port or brandy
1 package of Macrina’s Mini Ginger Molasses Cookies

Directions

Preheat oven to 350°F and line a rimmed baking sheet with parchment paper.

Place the sesame seeds on the prepared baking sheet and toast in the oven until golden brown, approximately 15 minutes. Let cool and set aside.

Line a 9″x 5″ loaf pan with plastic wrap extending 5″ on each end to cover the top after it is filled.

In the bowl of a stand mixer fitted with a whip attachment, whip the heavy cream to medium stiff peaks. Transfer to another bowl and refrigerate until needed.

Add the egg yolks, tahini and salt to the bowl of the stand mixer. Using the whisk attachment, mix for 3-5 minutes.

Add 5 tablespoons of sugar, the honey and water to a shallow saucepan. Mix well and bring to a boil for 1 minute.

With the mixer on low, slowly add the hot sugar mixture, aiming to directly hit the egg mixture (as opposed to the whisk or sides of the bowl). When all the sugar is incorporated, increase speed to high and mix for 2 minutes to aerate and cool. Add the toasted sesame seeds and vanilla extract.

Remove from mixer and gently fold in the whipped cream. When well incorporated, spoon into the lined loaf pan. Cover top of container with the extended plastic wrap to seal the semifreddo. Freeze for 6-8 hours.

Place figs in a medium bowl and add 1 tablespoon sugar, the ginger and amaretto. Toss gently and let steep for at least 2 hours at room temperature.

Unwrap semifreddo and cut into 6 slices. Transfer each slice to a chilled plate, spoon on the spiced figs and serve with a Mini Ginger Molasses Cookie. Enjoy!

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25th Anniversary Loaf: The Gathering Process

Macrina turns 25 on August 27th, and I can hardly believe it. I never imagined baking as many loaves as we do now, not to mention the pastries, cakes, and so much more. Our values have always been tied to supporting the community, so creating products made with local ingredients has always been a priority. We know where we get our food matters, so for years and years, the origin of our vegetables and meats has been a focus. In bread, however, we weren’t asking the important question: who grew the wheat? We’ve been working hard to close this gap and making the effort to learn about the farmers who grow the wheat we use. In turn, they can tell us which wheat varieties they’re growing. This makes all the difference when making artisanal, hand-formed bread. To celebrate our milestone, I’ve been creating a Macrina Anniversary Loaf, made only with grains grown and milled locally.

Local Grains

Since Macrina started in 1993, our local grain ecosystem has also come leaps and bounds. Washington is one of the largest producers of wheat in the country, and the current number of grain varietals grown in Washington State is staggering. This abundance has paved the way for specialized local mills to spring up, meeting the growing demand for freshly-milled, whole-grain flours.

At the heart of this change, just north of Seattle in the Skagit Valley, is the Bread Lab. Chief wheat breeder, Dr. Stephen Jones, runs the lab, which is an extension of Washington State University. Jones approaches the subject of locally grown wheat from every angle: with a farmer’s knowledge of the fields, a scientist’s discipline and a chef’s passion for food.

Over seven years ago, the Bread Lab invited me to be on their advisory board. Back then I had no idea how impactful it would be. For many of us on the front lines of baking, Jones has been a leading advocate for the benefits of local wheat.  It has been remarkable having a front row seat to observe what they do.


Bread Lab’s Grain Gathering

Every year, the Bread Lab hosts an annual conference called Grain Gathering. Professional bakers, bread enthusiasts, brewers, farmers, and chefs from around the country gather in the Skagit Valley to talk all things bread. A few years back, Dr. Jones had a group of six of us taste a bunch of loaves mixed up by resident baker, John Bethony. Until then, I hadn’t tried a bread made entirely from whole grain milled wheat. Whole grain milled flour is usually blended with conventional flour to enhance baking, otherwise the bread tends to bake inconsistently. That wasn’t the case for the Bread Lab, where they had come up with wonderfully flavorful and beautiful loaves. It was an introduction into a whole new world.

We contrasted each loaf for taste, texture and appearance. The natural flavor of the grain blew me away. The range of flavors matched the range of wheats and each distinctive loaf tasted of the type and terroir of the wheat used. From that point forward I’ve incorporated more native wheats and whole grain flours into Macrina’s breads. It was that tasting that lit the fire for the soon to come anniversary loaf.

Anniversary Loaf: Leslie’s Gathering Process

I always have several bags of different flours open in the kitchen. They have names like T-85, Yecora Rojo, Expresso Hard Red Spring Wheat, and Skagit Magic. This is how my gathering process works. My notebooks are full of new techniques I’ve been learning. I also have bags of various locally-produced malts, oats and barley.

Baking is a mix of science, rigorous precision, intuition and feel. I’ve experimented with many variables: adding diastolic malt powder (produced locally, of course), oats and emmer, blending native wheats in varying ratios, baking earlier with longer ferments. Of course I’m using the Macrina Casera starter, the starter I created 25 years ago from champagne grapes planted in my backyard. Many of the loaves I’ve tested have had a wonderful crumb and great flavor, but they’re flatter and denser than I want. My goal is to make a voluptuous whole grain bread, one with a stunning presence as well as a stunning flavor profile.
For me, so much of baking is tactile, so it takes time. I need to feel the dough in my hands when I mix it for the first time, or after a long rise. I’m inching closer and closer, and will keep working until it is just right.

Stay tuned…

Azeite Esplendido: Gold-Medal Winning Olive Oil from Portugal

“There are many good olive oils out there, but few that are exceptional, especially at a reasonable price. I tried Azeite Esplendido at the Fancy Food Show earlier this year and was blown away. Sheila Fitzgerald, the importer, impressed me with her passion and knowledge for all things olive oil, from its health benefits to the advantages of small-scale artisanal production. I love the balance this oil has. It’s assertive, with that great peppery spice, not bitter, and low in acidity. I am proud to add Azeite Esplendido to the small curated line of products we carry at Macrina.” 

Leslie

Azeite Esplendido: Gold-Medal Winning Olive Oil from Portugal

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A great extra virgin olive oil is as different from the typical pale yellow stuff sold in supermarkets as pure maple syrup is from Aunt Jemima’s. Good olive oil is alive and peppery, not bitter, and taken straight can make you cough. If you’re accustomed to bland commodity olive oil one spoonful of the real thing will transport you to another gustatory plane where flavor defies known parameters.

That’s sort of what happened when Seattle resident Sheila Fitzgerald was hiking through northern Portugal en route to the shrine of Santiago de Compostela in 2012. In the high hills above the Douro Valley, a soaring majestic patchwork of cultivated agriculture and natural, craggy slopes, she found herself in a grove of olive trees. Some had massive trunks, their limbs twisted and magnificent with age. She introduced herself to the property owner, Henrique Cardoso, a fourth-generation farmer, who then introduced her to his olive oil.

fullsizeoutput_3e9a “I knew good olive oil, but I’d never tasted anything like his,” Sheila says. “The golden-green oil had a peppery spiciness to it, no bitterness, and a complexity and balance that I’d never experienced.”

That revelatory moment kicked off Sheila’s four-year journey to become the sole US importer of Henrique’s olive oil. The first challenge was winning Henrique’s trust, persuading him that she would uphold his fierce commitment to quality. Next came an extended process of gaining FDA approval, an involved study of the existing US market, selecting bottles, and designing a label.

Since that first visit, Sheila has been back many times, including at harvest time, which starts in November and goes through January.

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“Henrique picks his olives early and makes Azeite Esplendido from the first harvest,” Sheila says. “That means the olive is picked when they’re very green. Most farmers wait until the olives get plumper. That way they get more oil out of it. But the olive loses flavor as it ripens. My oil has a peppery spiciness to it. That’s indicative of an early harvest. It can bring tears to your eyes, even make you cough. That’s a good thing.”

Harvest is a time of celebration. An autumnal chill in the air, the groves often laced with tendrils of fog, pickers go from tree to tree using long rakes to pull the olives into nets. An old tractor hauls them to the press, no longer one of the picturesque stone mills, but a state-of-the-art stainless steel centrifuge.

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“The olives are washed then ground into a mash before they’re dumped into the centrifuge,” Sheila says. “Henrique continually adjusts the revolutions per second, which changes the oil. He’s always testing it.”

Before the bottling, which is done within twelve hours of pressing, comes the blending. Azeite Esplendido is composed of first cold-pressed oil from four types of olives: Transmontona Verdeal, Cobrançosa, Cordovil, and Madural.

Sheila says, “Henrique guards the percentage of each olive in the blend. It’s the secret to his recipe. Along with picking at the right time, carefully monitoring of the oil extraction, and cultivating the best trees.”

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The Tras-os-Montes region, where the farm is located, is one of the six protected designation of origin (DOP) zones in Portugal. The microclimate and soil make it an ideal place for olive trees. On Henrique’s farm, the trees are widely spaced to allow each tree plenty of sun and wind and rain. Some of the trees are five to six hundred years old. These are called the mother trees. Around their base workers mound extra dirt. When new shoots come up they are transplanted, hence the name mother tree. The trees are not irrigated.

Sheila says, “Henrique told me doesn’t want to babysit his trees. It’s survival of the fittest. If it can’t grow there, he doesn’t want it.”

While Italy’s olive trees suffered through a terrible year in 2016 that halved production, Henrique’s groves fared well.

“Olive oil is a live product. It changes over time,” Sheila says. “It’s dependent on fluctuations in the weather. The new harvest is so bright green. Henrique tasted the oil at bottling and said, ‘My olive oil is so good this year we’re gonna blow the dishes off the wall.’ It wasn’t a translation issue. That’s his expression. No one makes olive oil like he does.”

Last April, at the New York International Olive Oil Competition, 827 olive oil entries from 26 countries were judged. Azeite Espledido took home the top honor, a gold medal.

Macrina is proud to carry this fine olive oil. Buy a bottle and a loaf of your favorite crusty bread, puddle a bit of oil on a plate and dip. Will it blow the dishes off the wall? Probably not. But it just might blow you away.

Ayako and Family Jam

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Ayako and Family Jam

During lunch at Sitka & Spruce some years ago, a gentle-spirited dog walked in. Taking a stroll around the restaurant, just checking things out, he seemed to be saying hello to everyone and then waltzed out the door. I asked our server whose dog it was and she responded, “Ayako. She works at Marigold & Mint next door and makes the best jam in the world. You should try some.”  I went straight over after lunch and got a bottle.  Apricot jam.  Golden in color, perfect consistency and not too sweet.  I had to agree.

A jar of Ayako Gordon’s mouthwatering jam has that special homemade quality because it is essentially that. It’s a simple thing, an age-old tradition, taking the abundant fruit at harvest and preserving it as jam. But so few take the time today, or do it with the skill that Ayako does. Done right, the result is transcendent, the flavor taking us back to memories of grandmother’s jam or that perfect juicy plum you had in Italy. If you don’t already have a reverence for plums, this jam will change that.

These days, Ayako uses a commercial kitchen and no longer has the time to create beautiful flower arrangements at Marigold & Mint. She is the sole jam maker, processes all the fruit by hand, and jars it herself. All her fruit—Damson plums, apricots, rhubarb, Coral Pink plums, Water Balloon plums, Mirabelle plums, quince, and more—comes from Mair Farm-Taki in the Yakima River Valley. Ayako considers her relationship to Mair Farm-Taki a collaboration, where her aim is to highlight the quality and the uniqueness of the organic fruit grown there and to honor both of their Japanese heritage.

ayakojam_126smallFor such a small, artisan producer news of her remarkable jam has spread from coast to coast through national press, including the New York Times. Web orders from across the country have filtered in and a few small business owners enchanted with the jam and Washington small-farm agriculture now retail the colorful hexagonal jars of jam.

The whole serendipitous endeavor began in 2010 when Ayako began helping at the Mair Farm-Taki stand at the University District Farmer’s Market. One day the owner, Katsumi Taki, suggested Ayako make jam with all the fruit that didn’t sell at the market. She played around with recipes until she found one for each fruit that brought forth its essential flavor. She began selling the jam at the Mair Farm-Taki stand, Marigold and Mint in Melrose Market, and through farm CSA’s. As word of mouth spread a few local retailers began to carry it.

While Ayako still makes all the jam by hand, her children have jumped in to help her with the business, handling web design, sales, and other administrative tasks. Damson Plum and Apricot are her two signature flavors and are usually in stock. Other offerings rotate through the year, with over a dozen different plum varieties available mid to late summer as the harvest comes in. Rhubarb is one of the earliest harvest flavors to come in. A look through the website shows how many flavors are sold out. Not being able to find your favorite flavor only makes you want it more. And really, it couldn’t be any other way. Such is the cost of local, seasonal produce, hand-selected, and carefully prepared in small batches. It’s what makes it so memorable.ayakoandfamily_02

I’m delighted to carry Ayako and Family Jam at Macrina. It is the kind of local, artisanal
product that I love. Grab a jar next time you’re in one of the cafes and try some on a toasted slice of your favorite loaf. You’ll see what I’m talking about.

Leslie

Edible City: A Delicious Journey

On view at MOHAI through September 10, 2017

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(Photo courtesy of MOHAI)

There may be no better way to know a city than by the way its people eat. Seattle’s Museum of History & Industry (MOHAI) currently has a beautiful new exhibit, Edible City: A Delicious Journey, which explores Seattle’s culinary history over the last two centuries. You journey across shorelines that provided abundant seafood to Native Americans in this area and trace the influences of Pacific Rim nations on signature dishes in four-star restaurants. If you haven’t already seen it, put it on your calendar. You’ll appreciate this place we call home all the more.

The exhibit, which runs through September 10, 2017, was curated by two-time James Beard Award-winning food writer Rebekah Denn. An exhaustive researcher, she writes beautifully. Enthralled by the exhibit, we recently asked her some questions to learn more.

Leslie

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(Photo courtesy of MOHAI)

How did you get involved in the project?

RD: MOHAI first contacted me in October of 2014 to see if I had ideas for how to tell the story, so I’ve been working on it on and off for two years.

What came first: the idea for the book or the exhibit?

RD: The exhibit idea definitely came before the book! But we ultimately wanted a way to preserve some of the exhibit and expand on the stories.

When I first met with the MOHAI staff, they asked me if I had any questions about doing the exhibit. I said, “What’s my biggest problem going to be?” One of the designers said, “You won’t have room for everything you want to say.” That was so true, but the book helped get at least some more of the information out there, and some of the really striking photos from MOHAI’s archives. We also got to include some recipes that we think of as Seattle signatures, and artist Julie Notarianni illustrated them for us.

In your research, what are a few things that surprised you?

RD: a. How many times what is old becomes new again. There’s a 1927 letter I love from Pike Place Market warning a vendor against selling spinach from California when local spinach is available (they threaten to confiscate his spinach!). Similarly, back in the 1940s, Angelo Pellegrini was encouraging Seattleites to eat fresh, local, seasonal foods — his writings are absolutely on-point for modern diners. You could also slip some of the menus from oyster bars 100 years ago into a modern restaurant without anyone noticing (except maybe the price list.)

b. How it seems that people have always wanted to find a way to stay in Seattle once they got here, and how prescient some observers were about what Seattle’s food scene would become. Actually, let me quote you a paragraph from the catalog about the Boeing bust years (which in turn quotes Roger Sale): “Given the flagging economy, it might have seemed an odd time for a restaurant renaissance, yet food provided an entry point into business for job-seekers who didn’t want to leave their beloved hometown. Restaurants were perhaps the best example, wrote historian Roger Sale, of a new consumer culture where it seemed everyone laid off from Boeing wanted to turn a lathe or cook an omelet. Young workers and female entrepreneurs entered the field, attracted by small-scale projects that weren’t beholden to banks and didn’t require a corporate slog to the top. “Cheeses, wines and coffees Seattle had never heard of became available,” Sale wrote. It was possible, he presciently suggested in 1976, that this rush of activity could push the city into an era of culinary greatness.”

c. I’ve written about food in Seattle for well over a decade, and I learned so much that I hadn’t known… like the story of the huge Crescent spice company that was based here (now part of McCormick), producers of Mapleine, a hugely popular imitation maple flavoring. Or how every era seemed to have its own version of our Tom Douglas. Again, from the catalog: “In the ‘20s and ‘30s the name Clare Colegrove was “associated with good eating in Seattle,” by one account, with alliterative eateries like the Purple Pup. Walter Clark, known as the dean of Seattle restaurateurs, owned an astonishing 55 restaurants between 1930 and 1970 (including the iconic Twin Teepees), according to old-Seattle expert Clark Humphrey. A critic once wrote that it was unlikely anyone in Seattle had not heard of Clark’s restaurants. A few decades later, it was unlikely that anyone had.”

What primary sources did you rely on for foods and restaurants for Seattle’s early history?

RB: I spent some time in MOHAI’s archives and found some fabulous materials (menus… matchbooks…photographs…cookbooks…the sign from the original Manca’s and the equipment from the Sagamiya bakery!) The museum staff members and public historian emeritus Lorraine McConaghy were also invaluable in helping track down material, from ancient newspaper advertisements to a still-working farm machine used to make berry-picking boxes. Nancy Leson let me raid her archives and interview notes from her decades covering the Seattle restaurant scene. People and institutions were unbelievably generous. Angelo Pellegrini’s children shared stories of their dad and agreed to loan us family treasures. Bob Kramer invited us to tour his workshop and see how he forges his world-famous knives. Jerilyn Brusseau and Greg Komen loaned us original Cinnabon items, including their cinnamon tasting notes from the Restaurants Unlimited Inc. kitchen. Jon Rowley brought us letters from Julia Child (they had a running correspondence on salmon and on peaches, among other subjects.) The Seattle Public Library let us borrow items from the library’s Pike Place Market collection, including a grand old ledger book from the wartime years and buttons from the Save the Market campaign. (Speaking of SPL, their online archives are an amazing resource. When we had questions like “When was Maison Blanc destroyed in a fire?” the library website let us simply search Seattle Times archives from 1895 onward from our desks. (The answer: It was front page news on April 30, 1960.) The owner of the Monorail Espresso cart delayed her own plans for the cart so that we could include it in our displays. “Starbucks Melody,” the blogger, brought over pieces from her personal collection like bottles of “Mazagran,” the company’s first bottled beverage. Mario Batali gave us permission to use a video of his grandmother Leonetta making ravioli… and then, when we visited Armandino Batali and his daughter Gina at Salumi, they loaned us a Merlino olive oil tin that was the “Leonetta” brand, also named for her (Armandino’s grandparents founded the Merlino company.) Serendipity! And the people who are a part of Seattle’s modern food history shared their expertise (including Matt Galvin, who served on the advisory committee) and their stories. The founders of the Beacon Food Forest sent over the original maps for the project; Seattle Neighborhood Farmers Markets dropped off the bells that they ring to open and close the market. Allrecipes staff members did Seattle-based recipe searches for us. The thank you list could go on for pages.

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(Photo courtesy of MOHAI)

The Joy of Holiday Giving

The Joy of Holiday Giving

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When the days grow short and cold, my thoughts turn to baking. A warm blast from a hot oven on a chilly winter night, even better if it carries the aroma of baking cookies, is enough to make even Scrooge smile. And nothing fills a wintry home with more cheer than the clatter of a busy kitchen. Did I mention the smells that waft throughout the home? Maybe this is part of why I bake so much when it’s cold and dark. Another part is the lovely tradition I grew up with of bringing Christmas baskets with homemade foods to friends, neighbors, and relatives.

My mother was the driving force. From an early age she’d been creative, starting at Roosevelt High School in Portland, Oregon, where she joined a social club called MyPhidias. The group remained friends until my mother was well into her 70s. They were the most artistic group of gals I knew. They did toile painting, made theatrical backdrops, choreographed entertainment, and created all kinds of handmade cards, tags, and preserves that they sold at holiday bazaars.

This creative streak made its way into our Christmas baskets. Starting with jam, which we made all summer. We bought freshly picked strawberries, raspberries, and blueberries from local farm stands and made freezer jam, the favorite in our house because of its brighter color and fresh-fruit flavor. We certainly ate our supplies down throughout the year, but always saved plenty to give away.

Just after Thanksgiving we started baking holiday cookies—lefse, fried rosette cookies, and many other family favorites, all in preparation for our holiday baskets. We had boxes lined with paper towels for the rosette cookies and tins–o-plenty for all the other cookies. When it came time to assemble everything my mother lined the baskets with colorful tissue paper, arranged the cookies and jars of jam and wrapped the basket in clear cellophane with a wire edged ribbon. They were beautiful.

I have carried on this tradition of making jams from local berries, plum bbq sauce, plum & quince paste (see our blog and video for plum paste), roasted tomato sauce, and holiday cookies (see our blog and video for holiday cookies)—both old family favorites and many new recipes I’ve discovered. This year I even made bitters. When the time comes, I buy a bunch of baskets and fill them with my handmade treasures, much as my mother did. The baskets are synonymous in my heart with festivity, giving, and joy. They are also the perfect antidote to the gloomy weather we get this time of year, both in the making and the giving. Delivering them to friends and seeing the smiles on their faces brings me such happiness. To me, this “giving from your heart” is the true spirit of Christmas.

If your life has just been too crazy to make any of your traditional specialties, Macrina does have a selection of artisanal handmade delicacies, both savory and sweet. We make many of them, but we’ve also curated a few of our favorite local artisanal products, such as Ayako and Family Jam. Drop by one of our cafés and we can help you put together a gift basket.

Leslie